Capabilities Within Improv

In Improv, the assumption is that all team members are the same high energy level, the same age range (20-30s), the same physical capabilities and are neuro typical. 

But, that is not the case. So, how can we support our teammates of differing abilities? If we really need to improvise as people of differing physical abilities or ages, how can we do so realistically? If you are a theater director, how can you realistically support people of different capabilities. Luckily for you, we’ve assembled an amazing panel who can directly provide you with tips and personal experience to better inform your theater / group.

Panelists:

Our expert panel will share their insights, followed by a short Q&A.

David Richman is an experienced and seasoned improviser who has played with the Baltimore Improv Group since 2018 as a house team performer. He was trained initially at Washington Improv Theater in 2014 and has learned from a variety of instructors and schools across the country. Additionally he has taught at Bird City in Baltimore virtually during the summer of 2021. He considers himself bi when it comes to improv scenes and maintains a presence in both Baltimore and Washington DC.

Ann Crimmins has studied improv at Hartford Stage Company, Flying Blind, Playhouse on Park, Sea Tea Improv, improvBoston, Zen of Improv and improvUtopia. For the past five years she has taught improv comedy at Sea Tea Theater.

Archer Rosenkrantz (They/Him) is a performer and performance arts educator specializing in improvisational theater programs. Archer creates inclusive programming and curriculum that holds diversity and equity at its focal point. Trained in schools of improv across the country, he has noticed that the improv world has a lot of growing to do, and advocacy is at the roots of the art he engages in. When he isn’t engaging in the improv world, Archer can be found performing with puppetry, walk around characters, and plays. Online @archiebeshort on Tik Tok is where Archer has gained a following making comedic content that highlights the intersectionality of his queer, trans, and autistic identities.